Exhibitions

Utako Shindo | Liminal in hand: paper curls like the form of clay 閾の手: 紙は陶影のように丸くなる - 3/21/25

Utako Shindo
Untitled
2024
9 x 3 inches
sumi ink on paper

(detail)

Utako Shindo
Untitled
2024
3.25 x 3.25 inches
sumi ink on paper

(detail)

Utako Shindo
Untitled
2024
3.25 x 3.25 inches
sumi ink on paper

Utako Shindo
Untitled (malcriado)
2024
0.625 x 2 inches
1.5 x 2.25 inches
3.25 x 3.25 inches
porcelain clay, sumi ink on paper

Untitled (malcriado) (detail)

Utako Shindo
Untitled (test spring-1) / 無題（春をためす-1）
2024
5.25 x 5 inches
2 x 3.25 inches
sumi ink on paper, clay with slip and glaze

Untitled (test spring-1) / 無題（春をためす-1） (detail)

Utako Shindo
Untitled (two)
2024
3.25 x 3.25 inches
sumi ink on paper

Untitled (two)

Utako Shindo
Untitled
2025
3.25 x 3.25 inches
2 x 3.25 inches
sumi ink on paper, porcelain and clay

(detail)

Utako Shindo
Untitled
2025
2.25 x 1.5 inches
3.25 x 3.25 inches
porcelain and clay, sumi ink on paper

Utako Shindo
Untitled (liminal in hand)
2025
1.5 x 3.25 inches
3.25 x 1.5 inches
porcelain and clay, sumi ink on paper

Untitled (liminal in hand)

Utako Shindo
Untitled (home)
2024
1.5 x 1.75 inches
clay with mica flakes

Untitled (home)

Utako Shindo
Untitled
2025
0.625 x 3.25 inches
1.25 x 2.5 inches
porcelain and clay

(detail)

Utako Shindo
Untitled
2024
2 x 5.25 inches
clay with mica flakes

(detail)

Utako Shindo
Untitled
2025
2 x 3 inches
4 x 4 inches
porcelain and clay, sumi ink on paper

(detail)

Utako Shindo
Untitled (earth and sky)
2025
1.75 x 3.75 inches
3.25 x 3.25 inches
clay, sumi ink on paper

Untitled (earth and sky) (detail)

Utako Shindo
Untitled
2025
5.75 x 5.75 inches
sumi ink on paper

(detail)

Utako Shindo
Untitled
2025
5.75 x 5.75 inches
2.5 x 4.75 inches
sumi ink on paper, nambe clay

(detail)

Utako Shindo
Untitled (everything)
2024
3.25 x 3.25 inches
sumi ink on paper

Untitled (everything)

Utako Shindo
Untitled (small things)
2025
1.5 x 3.25 inches
1.375 x 1.25 inches
porcelain and clay

Untitled (small things) (detail)

Untitled (small things)

Utako Shindo
Untitled
2025
2.75 x 4.5 inches
nambe and toride clay

Utako Shindo
Untitled
2024
9 x 3 inches
sumi ink on paper

detail

Utako Shindo
Untitled
2024
1.625 x 3.375 inches
1.75 x 3.25 inches
nambe clay with fire clouds

Utako Shindo
Untitled (from ‘light dark’) / 無題（「明るい暗い」より）
2024
2.625 x 13 inches
1.25 x 2 inches
1 x 2.75 inches
watercolor and sumi ink on paper, clay, clay with slip

Untitled (from ‘light dark’) / 無題（「明るい暗い」より） (detail)

Utako Shindo
Untitled (from ‘petal words’) / 無題（「言の花」より）
1.5 x 1.125 x 3 inches
1.625 x 2.125 inches
clay, clay with glaze

Untitled (from ‘petal words’) / 無題（「言の花」より）

Yet Again | Mike Nudelman - 2/1/25

Mike Nudelman
Field
2023
11 x 8 ½ inches
Ballpoint Pen on Paper

Nudelman_installationcouple (Medium).jpg

Mike Nudelman
Goes the Other Way
2021
7 x 5 inches
Ballpoint Pen on Paper

Nudelman_goestheotherwaydetail5 (Medium).jpg

nudelman_goestheotherwaydetail4 (Medium).jpg

Nudelman_goestheotherway_detail2 (Medium).jpg

Mike Nudelman
From the Window of a Third
2023
11 x 8 ½ inches
Ballpoint Pen on Paper

Mike Nudelman
Cows
2021
11 x 8 ½ inches
Ballpoint Pen on Paper

Mike Nudelman
Age Without Time
2020
11 x 8 ½ inches
Ballpoint Pen on Paper

Nudelman_installationbackleft (Medium).jpg

Mike Nudelman
Anything But a Giraffe
2021
4 ⅛ x 3 ⅞ inches
Ballpoint Pen on Paper

Nudelman_anythingbutagiraffe4 (Medium).jpg

Mike Nudelman
Outside
2020
11 x 8 ½ inches
Ballpoint Pen on Paper

Mike Nudelman
Extensions
2020
11 x 8 ½ inches
Ballpoint Pen on Paper

Mike Nudelman
Getting it
2021
11 x 8 ½ inches
Ballpoint Pen on Paper

Mike Nudelman
Untitled 3
2018
11 x 8 ½ inches
Ballpoint Pen on Paper

Mike Nudelman
Small Coincidence
2021
11 x 8 ½ inches
Ballpoint Pen on Paper

Like Modern Synthesis - 11/22/24

Brad Adkins
Anne Appleby
Montanna Binder
Nina Bovasso
Mala Breuer
Porfirio DiDonna
John Fraser
Kim Jones
Alex Kraft
Dale Daniel Leys
Helmut Löhr
Deborah Luster
Ed Moses
Cary Smith
Joost Van Oss

Mala Breuer
Untitled
1992
12 x 12 inches
acrylic / graphite / canvas

Montanna Binder
waterfall print
2024
23 ¾ x 21 ½ inches
lumen print of el salto del agua, new mexico 2023 - 2024

Cary Smith
Grey Painting # 4a
1997
16 x 16 inches
oil / wax / panel

Cary Smith Grey Painting # 4a detail (Medium).jpg

Cary Smith
untitled
1998
4 ½ x 10 ½ inches
graphite on paper

Cary Smith untitled detail 2 (Medium).jpg

Cary Smith untitled detail 5 (Medium).jpg

Joost Van Oss
Galisteo
1995
12 x 20 ½ inches
paint on panels

Anne Appleby
GREEN + RED
2001
22 x 45 inches
oil + wax on panel

Anne Appleby Green plus red detail (Medium).jpg

Anne Appleby Green plus red detail 3 (Medium).jpg

Brad Adkins
Black Bill
2004
2 ½ x 6 inches
sharpie on dollar bill

Porfirio DiDonna
untitled
1973
17 x 23 ½ inches
graphite on paper

John Fraser
untitled
2002
5 ¾ x 12 ⅛ inches
graphite and acrylic on collaged paper

Helmut Löhr
untitled
1991
6 ¼ x 8 ¼ inches
collage

Ed Moses
rorshocked
1993
8 ½ x 11 inches
ink on paper

Alex Kraft
Eechuie
2006
10 x 3 ¼ x 1 inches
ceramic

Nina Bovasso
untitled (city)
1998
16 ½ x 22 inches
paint on paper

Nina Bovasso untitled detail (Large).jpg

Nina Bovasso untitled detail 7 (Medium).jpg

Alex Kraft
Ciprial Ubi
2006
4 1/8 × 3 5/8 × 2 inches
ceramic

Alex Kraft
Ubi
2006
3 ¾ x 2 2/3 × 1 ½ inches
ceramic

Alex Kraft
Gaga Ko
2006
3 1/8 × 3 ½ x 1 ½ inches
ceramic

Alex Kraft
Shatits Faladae
2006
3 ¼ x 3 ¼ x 1 3/8 inches
ceramic

Alex Kraft
N/A
2006
5 1/8 × 2 ¾ x 1 ¾ inches
ceramic

Dale Daniel Leys
Visions Of The River Carp Vl
1976-78
72 x 48 inches
conte on paper

Deborah Luster
photo from “One Big Self: Prisoners from Louisiana” series
2 / 25
6/24/1999
5 x 4 inches
photograph

Kim Jones
war drawing
1999
10 ⅝ x 14 inches
pencil on paper

they will bring you home again - 8/17/24

Joseph Beuys
Michael Diaz
Allan Graham
Gloria Graham
Wes Mills
Mary Peck
Matthew Schrader
Richard Tuttle
Philadelphia Wireman

they will bring you home again install 2 (Medium).jpg

Mary Peck
Spearman Texas
1984
6 ¼ x 19 ⅛ inches
print

they will bring you home again install 9 (Medium).jpg

Joseph Beuys
from DDR-Tüten (GDR Bags), 1977-1980
1977-1980
13 x 7 ½ inches
Stamp and graphite on paper bag

Wes Mills
5 pieces from “My Home Town”
2024
varying sizes
metal, wood, wax, paint

they will bring you home again install 3 (Large).jpg

Matthew Schrader
Ground
51 ½ x 1 ¼ x 5 ½ inches
Found object and wire
2017
Provenance: Radical Abacus

they will bring you home again Schrader Wireman (Medium).jpg

Philadelphia Wireman
Untitled (brass & white wire)
c. 1970–75
3 1/2 x 3 x 1 3/4 inches
wire, found objects

they will bring you home again Diaz Tuttle (Large).jpg

Michael Diaz
untitled
2019
17 ⅜ x 21 ⅛ inches
Oilstick and Japanese handmade paper

Richard Tuttle
Swift confirmation, 1998
6.375”h x 7”w x 7.375”d
Cast silicon bronze
Each exemplar is unique and stamped RT.
Edition 2/10

they will bring you home again install 6 (Medium).jpg

Allan Graham / Toadhouse
Fourteenth Passage
1991
90 x 42 x 4.5 inches
Oil on canvas with pine wood steps

Gloria Graham
Garnet
2015
26 x 27 inches
pigmented ink on archival paper

Wes Mills
over the shore line
2001
11 x 11 inches
Graphite, ink, gum arabic on plexi

Matthew Schrader
Ground (detail)

GLORIA GRAHAM | INDEX CARDS REDRESSED - 6/14/24

Gloria Graham
The Blue Hand
2007
28 x 39 inches
Pigmented ink on archival paper

Gloria Graham interplanatary flight (Large).jpg

Gloria Graham
Interplanetary Flight
1 - 3
2008
46.5 x 46.5 inches
Pigmented ink on archival paper

Gloria Graham installation 1 (Medium).jpg

Gloria Graham jicarilla apache (Large).jpg

Gloria Graham
Jicarilla Apaches: a study in survival
1-3
2008
46.5 x 46.5 inches
Pigmented ink on archival paper

Gloria Graham
Japanese Expansion
1 - 3
2007
46.5 x 46.5 inches
Pigmented ink on archival paper

Gloria Graham numbers in flame 2 (Large).jpg

Gloria Graham
Numbers in Flame
1 - 3
2007
46.5 x 46.5 inches
Pigmented ink on archival paper

Gloria Graham
King Richard III
1 - 3
2008
46.5 x 46.5 inches
Pigmented ink on archival paper

Gloria Graham
Sanapia, Comanche Woman
1 - 3
2008
46.5 x 46.5 inches
Pigmented ink on archival paper

Gloria Graham
Twist
2015
26 x 27 inches
Pigmented ink on archival paper

Gloria Graham
Garnet
2015
26 x 27 inches
Pigmented ink on archival paper

Mary Peck | Apologia - 4/19/24

Mary Peck
Olympic National Forest
1991
22 x 26 inches
Archival Pigment Print

Mary Peck
Firefighter Flagging, Paradise Fire, Olympic National Park
2015
22 x 26 inches
Archival Pigment Print

Mary Peck
Barn Owl, New Mexico
2016
22 x 26 inches
Archival Pigment Print

Mary Peck
Hurricane Andrew, Florida City, Florida
1992
22 x 26 inches
Archival Pigment Print

Mary Peck
Washington Department of Natural Resources, Clearwater Road, Olympic Peninsula
2015
22 x 26 inches
Archival Pigment Print

Mary Peck
High River Crossing, Paradise Fire, Olympic National Park
2015
22 x 26 inches
Archival Pigment Print

Mary Peck
Highway 64, Near Dinosaur, Colorado
2015
22 x 26 inches
Archival Pigment Print

Mary Peck
Coyote, Peña Blanca, New Mexico
2016
22 x 26 inches
Archival Pigment Print

plum season - 2/3/24

Stuart Arends
Marc Baseman
Michael Diaz
Allan Graham / toadhouse
Agnes Martin
Mike Nudelman
Johnny Ortiz-Concha
Myron Stout

Allan Graham / toadhouse
Life is a foregone conclusion
2006
30 x 44 inches
Graphite on paper

Graham life is a forgone conclusion detail (Large).jpg

Allan Graham / toadhouse
YOU ARE HEAR
2018
50 x 42 inches
Oil and graphite on canvas

Johnny Ortiz-Concha
Shallow vessel
from ‘to let the light in’
fired full moon 1.25.24
diameter 14 ⅜ height 3 ¾ inches
wild micaceous clay

Johnny Ortiz-Concha
palm shallow vessel
from ‘to let the light in’
fired full moon 1.25.24
diameter 4 ½ height 2 ⅛ inches
wild micaceous clay

Agnes Martin
Untitled #5
1990
12 x 12 inches
Offset lithograph on transparent vellum

Agnes Martin untitled 5 detail (Large).jpg

Marc Baseman
Landfall drawing (Madrid II)
2017
2 1/2 x 3 1/4 inches
Graphite, dry pigment, and ink on paper

Marc_Baseman_Landfall_Drawing_MadridII (Large).jpg

Myron Stout
Untitled (from Rubber Stamp Portfolio)
1976
8 x 8 inches
Rubber Stamp Print on Buckeye Paper

dressed in water
3
Michael Diaz
2022
38 ¼ x 32 inches
oil stick and Stonehenge paper

Diaz dressed in water 3 detail 3 (Large).jpg

dressed in water
7
Michael Diaz
2022
38 x 50 inches
oil stick and Stonehenge paper

Diaz dressed in water 7 detail 4 (Large).jpg

Mike Nudelman
Beyond #2
2022
4 x 5.5 inches
Ballpoint Pen on Paper

Johnny Ortiz-Concha
mezcal vessels
from ‘to let the light in’
fired full moon 1.25.24
approx diameter 3 ⅛ height ⅞ inches ea.
wild micaceous clay

Ortiz-Concha mezcal vessels 7 (Large).jpg

Ortiz-Concha Mezcal vessel 10 (Large).jpg

Ortiz-Concha Mezcal Vessels 8 (Large).jpg

Ortiz-Concha Mezcal Vessels 9 (Large).jpg

Stuart Arends
Moonlight on the River 41
2018
14 x 17 inches
Watercolor, ink, and pencil on tracing paper

Arends Moonlight on the river41 (Large).jpg

Arends Moonlight on the river41 detail (Large).jpg

Arends Moonlight on the river41 detail 4 (Large).jpg

Allan Graham / toadhouse
leave
2016
15 x 14 inches
oil and graphite on canvas

DARRELL WILKS | DEATH IN A CORNFIELD - 12/15/23

Darrell Wilks JACQUELINE KENNEDY detail (Medium).jpg

Darrell Wilks install front (Medium).jpg

American Psycho
1990s New York
24” x 18”
collage on paper

Futurama
1990s New York
24” x 18”
collage on paper

A FALSE SPRING
2023
60” x 48”
mixed media on canvas

Darrell Wilks A FALSE SPRING detail 2 (Medium).jpg

Darrell Wilks A FALSE SPRING detail 6 (Medium).jpg

Darrell Wilks install main 2 (medium).jpg

A ROUGH-RIDING COWBOY
2023
60” x 48”
mixed media on canvas

Darrell Wilks A ROUGH-RIDING COWBOY detail 2 (Medium).jpg

Darrell Wilks A ROUGH-RIDING COWBOY detail 6 (Medium).jpg

Darrell Wilks install maine 2 (Medium).jpg

DEATH IN A CORNFIELD
1990s New York
24” x 18”
collage on paper

Row, Row, Row Your Boat
1990s New York
24” x 18”
collage on paper

Cloud Club
1990s New York
24” x 18”
collage on paper

Bunny Hop
1990s New York
24” x 18”
collage on paper

Darrell Wilks install main 4 (Medium).jpg

A TRIBECA HOUSE NO LONGER DIVIDED
2023
60” x 48”
mixed media on canvas

Darrell Wilks A TRIBECA HOUSE NO LONGER DIVIDED detail 4 (Medium).jpg

Darrell Wilks A TRIBECA HOUSE NO LONGER DIVIDED detail 5 (Medium).jpg

Darrell Wilks A TRIBECA HOUSE NO LONGER DIVIDED detail 6 (Medium).jpg

JACQUELINE KENNEDY
2023
60” x 48”
mixed media on canvas

Darrell Wilks JACQUELINE KENNEDY detail 3 (Medium).jpg

Darrell Wilks JACQUELINE KENNEDY detail 5 (Medium).jpg

Darrell Wilks JACQUELINE KENNEDY detail 8 (Medium).jpg

SECOND OBELISK TOPPLED
2023
60” x 48”
mixed media on canvas

Darrell Wilks SECOND OBELISK TOPPLED detail (Medium).jpg

DUMBO ROARS
2023
60” x 48”
mixed media on canvas

Darrell Wilks DUMBO ROARS detail (Medium).jpg

Darrell Wilks DUMBO ROARS detail 3 (Medium).jpg

Darrell Wilks DUMBO ROARS detail 6 (Medium).jpg

Darrell Wilks DUMBO ROARS detail 7 (Medium).jpg

Patrick Kikut | Bringing it All Back Home - 10/28/23

Snowbound Speed Boat/Wyoming
from Square States and Moonscapes
2016
61 ½ x 73 ⅜ inches
oil on canvas

PatrickKikutsnowboundspeedboatdetail2 (Large).jpg

PatrickKikutsnowboundspeedboatdetail (Large).jpg

Long Walk to Lone Rock
from SCREE
2022
6 x 8 inches
mixed media field drawing

PatrickKikutlongwalktolonerockdetail (Large).jpg

PatrickKikutlongwalktolonerockdetail2 (Large).jpg

Jack Rabbit
from Featured Attractions
2006
20 ⅞ x 28 ⅛ inches
mixed media monoprint

PatrickKikutJackRabbitdetail (Large).jpg

rica
from Wind Damage
2012
21 ¾ x 24 inches
mixed media

Smoked Trout Stew
from Sacrificial Still Lifes
2018
30 ¼ x 40 ⅛ inches
oil on canvas

PatrickKikutsmokedtroutstewdetail3 (Large).jpg

PatrickKikutsmokedtroutstewdetail4 (Large).jpg

PatrickKikutsmokedtroutstewdetail (Large).jpg

PatrickKikutsmokedtroutstewdetail2 (Large).jpg

Jimmy/Crest Kid
from Wind Damage
2012
72 x 48 inches
mixed media

Jade/Crest Kid
from Wind Damge
2012
72 x 48 inches
mixed media

Prairie Church
from Highpoints on the High Plains
2016
30 ⅞ x 61 ⅛ inches
oil on canvas

PatrickKikutprariechurchdetail (Large).jpg

PatrickKikutprariechurchdetail3 (Large).jpg

PatrickKikutprariechurchdetail2 (Large).jpg

Test - Red
from Manifestdestination
2013
31 x 21 inches
oil on canvas

Test - Yellow
from Manifestdestination
2013
31 x 21 inches
oil on canvas

PatrickKikuttestyellowdetail (Large).jpg

Test - Blue
from Manifestdestination
2013
31 x 21 inches
oil on canvas

Square States Monument
from Square States and Moonscapes
2017
118 ½ x 37 ½ x 137 inches
mixed media

PatrickKikutsquarestatesmonument5 (Large).jpg

PatrickKikutsquarestatesmonumentdetail (Large).jpg

Land
from Wind Damage
2012
19 ½ x 24 inches
mixed media

Ridgeline
from Wind Damage
2012
10 ½ x 30 ⅛ inches
mixed media

The Architect
from Manifestdestination
2015
8 ⅝ x 16 ¾ inches
oil on canvas

Scenic Overview/South Dakota
from Square States and Moonscapes
2017
61 ⅛ x 73 ⅜ inches
oil on canvas

Food next exit
2018
11 ¾ x 11 ½ inches
oil on ceramic

Utako Shindo | Form Poem - 9/16/23

Mountains Dark
No Stars Day

Handler Writer
Push(ed) Fall(en)

Blind One
Touch Indirect
Sound Dance
Two Again

Shades Slow
Distance Lack
Suffer Elegant

Play Boredom
Love Incomplete

still image from the video Form Poem, 2023

Utako Shindo
Form Poem
2023
video with audio 15 min 51 sec

Utako Shindo
Untitled (dawning)
2021
26.4 x 26.4 inches
sumi ink on paper

detail

Utako Shindo
lines of sight
2023
9 sets (15 pieces) of stoneware vessels (toride clay, white slip)
Dimensions variable

Utako Shindo
Untitled (from Form Poem)
2023
2.7 x 1.1 x 2.7 inches
vessel (mashiko clay, white slip)

Utako Shindo
Untitled (from Form Poem)
2023
8.7 x 8.6 inches
sumi ink on paper

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
1.6 x 2.2 inches
1.6 x 1.8 inches

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
1.3 x 1.7 inches
3.0 x 1.7 inches

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
1.3 x 2.6 inches
1.1 x 2.6 inches
0.7 x 1.8 inches

UtakoShindoFormPoemLinesofSight5.10r.jpg

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
1.4 x 2.6 inches
1.5 x 2.7 inches

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
1.1 x 1.6 inches
2.5 x 1.6 inches

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
1.4 x 1.9 inches
1.4 x 1.9 inches

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
1.2 x 1.7 inches
1.0 x 1.9 inches

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
0.9 x 1.9 inches
0.7 x 1.9 inches

UtakoShindoFormPoemLinesofSight10.1r.jpg

Utako Shindo
from lines of sight
2023
set of stoneware vessels (toride clay, white slip)
0.8 x 1.9 inches
0.9 x 2.0 inches

Utako Shindo Form Poem installation excerpt

Nothing is Hidden - 7/14/23

Z.B. Armstrong
Eve Aschheim
Marc Baseman
Michael Diaz
Allan Graham
Bruce of LA
Agnes Martin
David McDonald
Wes Mills
Utako Shindo
Richard Tuttle
Roger Walker

Utako Shindo
Night Sight #1-2
2019
18.875 x 12.875 inches
pigment ink printed on inkjet paper
edition 2/6

Utako Shindo
Night Sight #3-4
2019
18.875 x 12.875 inches
pigment ink printed on inkjet paper
edition 2/6

Wes Mills
no title
2023
3 ¼ x 7 inches
graphite, gold paint on paper

Allan Graham / Toadhouse
YOU ARE HEAR
2018
50 x 42 inches
Oil and graphite on canvas

Bruce of LA
Untitled
C. 1950’s
4 ½ x 3 ½ inches
Photograph

Eve Aschheim
Precarious (AKA Bird Talk, Bird Roost)
2021
18 x 12 inches
Gesso, black gesso, ink and graphite on mylar

dressed in water
Michael Diaz
2023
17 ½ x 17 ½ inches
oil stick and Stonehenge paper

dressed in water
Michael Diaz
2023
23 ½ x 18 inches
oil stick and Stonehenge paper

Wes Mills
no title
2022
6 ½ x 4 ½ x ⅞ inches
graphite painted panel

Agnes Martin
ca. 1995
paper size: 11 x 11 inches
image size: 9 x 9 inches
ink, paint, and graphite on paper

David McDonald
Shelters From the Storm #7
2022
Hydrocal, Watercolor, Pigment, House Paint, Wood, Cold Wax
7 x 9 ½ x 7 inches

Richard Tuttle
FIVE-COLOR DRAWING
GROUP III, no. 6
1991
7 x 10 inches
graphite, colored pencil, and watercolor on paper

Allan Graham / Toadhouse & John Yau
MORT-GAUGE CANCELED
2008
60 x 43 inches
single print

Roger Walker
untitled
2005
21 ⅜ x 21 ¼ inches
ink on paper

Marc Baseman
madrid
2023
1 ⅜ x 1 ⅜ inches
Graphite and colored pencil on paper

Marc Baseman
Dust
2023
2 x 2 inches
Graphite and dry pigment on paper

Z.B. Armstrong
Untitled (doomsday calendar)
1990
5 ⅛ x 8 inches
White paint and marker on cardboard

James Sterling Pitt | {#} - 4/8/23

{#}
[————-]
##########
_____%%%%%%%%_____

Untitled (Twilight - Reach) | 7¼” x 8” x 5⅛” | Glaze and Acrylic on Ceramic | 2023

Untitled (“A Dream of Being a River”) | 8½” x 8½” x 5” | Acrylic on Ceramic | 2023

Untitled (Inverness) | 5¾” x 7½” x 3⅞” | Glaze and Acrylic on Ceramic | 2023

Untitled (“Inverse Pillar”) | 5⅝” x 6⅛” x 3” | Acrylic on Ceramic | 2023

Untitled (Holding An Echo) | 10⅛” x 8¼” x 5¼” | Glaze and Acrylic on Ceramic | 2023

Untitled (Blackberries - Gate) | 6¼” x 7¼” x 3½” | Glaze on Ceramic | 2023

Untitled (Cusp) | 7⅛” x 7⅜” x 3¼” | Glaze and Acrylic on Ceramic | 2023

Untitled (April 23 - July 18, 2018) | 33⅛” x 25⅛” | Graphite on Paper | 2019

Untitled (May 20 - June 11, 2019) | 34¼” x 26½” | Graphite on Paper | 2019

Untitled (January 15, 2023) | 14⅞” x 11⅞” | Graphite on Paper | 2023

Wes Mills | drawings - 2/11/23

Wes Mills
no title
1996
5 ⅞ x 6 inches
graphite, ink on paper

Wes Mills
no title
2023
2 ⅝ x 6 ¼ inches
graphite, gold paint on paper

detail

Wes Mills
no title
2012
7 ¾ x 4 ⅞ inches
graphite, colored pencil on paper

Wes Mills
no title
2012
7 ¾ x 5 ⅛ inches
graphite, colored pencil on paper

Wes Mills
no title
2012
7 ⅞ x 6 ¼ inches
graphite, colored pencil on paper

detail

Wes Mills
no title
2012
7 ¾ x 5 ¼ inches
graphite, colored pencil on paper

Wes Mills
no title
2012
7 ⅜ x 6 ⅞ inches
graphite, colored pencil on paper

detail

Wes Mills
no title
2012
7 ¾ x 4 ⅜ inches
graphite, colored pencil on paper

detail

Wes Mills
no title
2012
7 ½ x 4 ⅞ inches
graphite, colored pencil on paper

detail

Wes Mills
no title
2012
7 ⅝ x 5 ⅞ inches
graphite, colored pencil on paper

Wes Mills
no title
2012
7 ¾ x 5 ⅜ inches
graphite, colored pencil on paper

detail

Wes Mills
no title
2012
7 ¾ x 6 ¼ inches
graphite, colored pencil on paper

Wes Mills
no title
2012
7 ¾ x 5 ⅜ inches
graphite, colored pencil on paper

detail

Wes Mills
no title
2012
7 ¼ x 7 inches
graphite, colored pencil on paper

detail

Wes Mills
no title
2012
7 ¾ x 7 inches
graphite, colored pencil on paper

Wes Mills
no title
2012
7 ⅝ x 5 ¼ inches
graphite, colored pencil on paper

detail

Wes Mills
no title
1994
5 ⅞ x 5 ⅝ inches
graphite, ink on paper

detail

Wes Mills
no title
2023
4 ½ x 4 ½ inches
graphite, gold paint on paper

Wes Mills
no title
2023
5 ⅝ x 3 ⅞ inches
graphite, gold paint on paper

Wes Mills
no title
2023
4 ½ x 4 ½ inches
graphite, gold paint on paper

detail

Wes Mills
no title
2023
4 ½ x 4 ½ inches
graphite, gold paint on paper

Wes Mills
no title
2023
4 ¾ x 8 ⅛ inches
graphite on paper

detail

Wes Mills
no title
2023
4 ¾ x 8 ⅛ inches
graphite, gold paint on paper

who live for a day and expire - 1/14/23

Stuart Arends
Helen C Beck
Michael Diaz
David McDonald
Mary Peck
Susan Rothenberg
Utako Shindo
Richard Tuttle

dressed in water
7
Michael Diaz
2022
38” x 50”
oil stick and Stonehenge paper

David McDonald
Untitled #1
2019
5 ¼” x 2” x 2”
Hydrocal, Wood, Watercolor, Pigment, Wood Stain, Sand, Polyurethane

dressed in water
2
Michael Diaz
2022
22 ½” x 17 ⅝”
oil stick and strathmore paper

Utako Shindo
Volcán
2021 / sumi ink on watercolor paper curved (front and back) / 4.25” x 7.25” x 0.625”

2021 / stoneware / 3.75” (diameter) x 1.5” (height)

helen c beck
Gravity
2022
3 1/16” x 2 5/16”
photograph edition of 10

dressed in water
5
Michael Diaz
2022
50” x 38”
oil stick and Stonehenge paper

Mary Peck
Chaco Canyon
1989
17” x 36”
print edition of 25

Susan Rothenberg
Dead Rooster # 4
1993
32” x 34”
impression on tan handmade Korean Kozo paper
edition of 100 signed and numbered impressions | Woodcut

Richard Tuttle
Swift confirmation, 1998
6.375”h x 7”w x 7.375”d
Cast silicon bronze
Each exemplar is unique and stamped RT.
Edition of 10

Utako Shindo
Opening path
2019
12” x 9” inches
Carbon transfer on vellum

Stuart Arends
Celadon 18
1989
36” x 36” x 3 ½”
Latex paint on wood

addendum:

A PILLOW BOOK - Suzanne Buffam

Pee Poems - Lao Yang
translated from Chinese by Joshua Edwards & Lynn Xu

ANGELS & SAINTS - Eliot Weinberger

Archie Shepp

Michael Diaz | dressed in water - 10/22/22

dressed in water
5
Michael Diaz
2022
50” x 38”
oil stick and Stonehenge paper

dressed in water
4
Michael Diaz
2021
50” x 38”
oil stick and Stonehenge paper

dressed in water
4 (detail)
Michael Diaz

dressed in water
1
Michael Diaz
2022
22 ⅝” x 17 ⅜”
oil stick and Strathmore paper

dressed in water
1 (detail)
Michael Diaz

dressed in water
3
Michael Diaz
2022
38 ¼” x 32”
oil stick and Stonehenge paper

dressed in water
3 (detail)
Michael Diaz

dressed in water
2
Michael Diaz
2022
22 ½” x 17 ⅝”
oil stick and Strathmore paper

dressed in water
2 (detail)
Michael Diaz

dressed in water
6
Michael Diaz
2022
38” x 50”
oil stick and Stonehenge paper

dressed in water
6 (detail)
Michael Diaz

dressed in water
7
Michael Diaz
2022
38” x 50”
oil stick and Stonehenge paper

dressed in water
7 (detail)
Michael Diaz

addendum:

Joy Harjo: Conflict Resolution For Holy Beings. | When The Light Of The World Was Subdued, Our Songs Came Through

Louise Gluck: Averno

James Merrill: A Scattering Of Salts

Chika Sagawa: A Collection Of Poems

Ocean Vuong: Time Is A Mother | Night Sky With Exit Wounds

Jenny George: The Dream Of Reason

Arthur Sze: The Redshifting Web | Quipu | Sightings

Frank O'Hara: Standing Still And Walking In | New York

anything by Sawnie Morris

Debbie Long - 8/27/22

Debbie Long in her Taos Studio | Photo by Liza Bambenek

Debbie Long
The Sun Never Says
2021-2022
50 x 173 x 3 inches
Cast glass

Debbie Long
The Sun Never Says

Debbie Long
The Sun Never Says (detail)

Debbie Long
Naima
2020
11 ⅛ x 6 ⅞ x 6 ⅝ inches
Solid Cast Glass

Debbie Long
Naima (detail)

Debbie Long
Untitled / For Willa
2021
4 ⅞ x 8 ½ inches
Ink on paper

Debbie Long
For Willa
2016
2 ¾ x 4 ¾ x 4 ¾ inches
Solid Cast Glass

Debbie Long
Untitled / For Willa
2021
4 ⅞ x 8 ½ inches
Ink on paper

Debbie Long
Untitled / For Willa
2021
5 ½ x 8 ½ inches
Ink on paper

Debbie Long
For Willa
2016
2 ⅝ x 4 ⅝ x 2 ⅞ inches
Solid Cast Glass

Debbie Long
Untitled / For Willa
2021
5 ½ x 8 ½ inches
Ink on paper

Debbie Long
Royal
2017
9 ¼ x 10 ⅜ x 9 inches
Solid Cast Glass

Debbie Long
Royal (detail)

Debbie Long
Thelonious
2020
9 ¼ x 8 x7 ½ inches
Solid Cast Glass

Debbie Long
Thelonious (detail)

Debbie Long
For KP
2018
10 ¼ x 8 x 8 ⅝ inches
Solid Cast Glass

Debbie Long
For KP (detail)

Debbie Long
Mavis
2017
9 ⅝ x 9 ½ x 7 ⅞ inches
Solid Cast Glass

Debbie Long
Mavis (detail)

the bodiless begun | helen c beck - 7/16/22

Departed - to the Judgment -
A Mighty - Afternoon -
Great Clouds - like Ushers - leaning -
Creation - looking on -

The Flesh - Surrendered - Cancelled -
The Bodiless - begun -
Two Worlds - like Audiences - disperse -
And leave the Soul - alone -

- Emily Dickinson

An aspect of the creative process that has long intrigued me is the making use of what is at hand. In 2020, with Covid lockdown in place, not eager or able to engage with the world at large, I began an engagement with self by observing and photographing my body from the vantage of the elder I have become.

Suddenly seventy-nine, and in the spirit of nothing to lose and still much to learn, I embarked upon an adventure with my camera and computer. Knowing next to nothing about either technology, I would say that Beginner’s Mind mercifully prevailed. I feel blessed to have been able to experience and sustain the sense of being swept along, entranced long enough for this imagery to emerge and evolve.

While this work is distinctly personal, I trust it speaks to a universality of human experience; what it means to encounter “final verities”; how each of us ultimately grapples with what it is like to relinquish a former flesh and embody a current version of a new, older self. I trust, as well, this work speaks to beyond the body, to the utterly ineffable, where images, perhaps, serve us more meaningfully, more profoundly than words.

Time has been lavishly generous in bestowing change over seventy-nine years. When not confounded by the sheer magnitude and drama of transformation, I am in awe and continue to marvel at the mystery of the metamorphosis at play.

helen c beck
descent from the cross
2022
3 5/16 x 2 1/2 inches
photograph

helen c beck
pugilist
2022
2 5/16 x 3 1/16 inches
photograph

helen c beck
in memoriam
2022
2 3/8 x 3 1/16 inches
photograph

helen c beck
deposition
2022
3 3/4 x 2 3/8 inches
photograph

helen c beck
shepherd’s crook
2022
2 5/16 x 3 1/16 inches
photograph

helen c beck
end point
2022
3 13/16 x 2 3/8 inches
photograph

helen c beck
left for dead in the desert
2022
2 5/16 x 3 1/16 inches
photograph

helen c beck
gift
2022
2 5/16 x 3 1/16 inches
photograph

helen c beck
twigs
2022
3 5/16 x 2 1/2 inches
photograph

helen c beck
ten toed
2022
3 7/16 x 2 1/2 inches
photograph

helen c beck
clench
2022
3 3/8 x 2 1/2 inches
photograph

helen c beck
life companion
2022
3 1/4 x 2 1/2 inches
photograph

helen c beck
tributaries
2022
3 5/16 x 2 1/2 inches
photograph

helen c beck
cupped
2022
1 15/16 x 3 1/16 inches
photograph

helen c beck
matrilineal
2022
3 5/16 x 2 1/2 inches
photograph

helen c beck
foot of narcissus
2022
3 3/16 x 2 1/2 inches
photograph

helen c beck
protestation
2022
3 3/16 x 2 1/2 inches
photograph

helen c beck
arches
2022
2 3/16 x 3 3/8 inches
photograph

helen c beck
slope
2022
3 5/16 x 2 1/2 inches
photograph

helen c beck
crone’s feet
2022
3 1/16 x 2 1/2 inches
photograph

helen c beck
one leg two feet
2022
2 3/16 x 4 3/4 inches
photograph

David McDonald | Shelters From the Storm - 4/16/22

David McDonald
Shelters From the Storm #14
2022
Hydrocal, Watercolor, Pigment, Acrylic, Wood, Cold Wax
7 x 9 x 6 ½ inches

David McDonald
Shelters From the Storm #12
2022
Hydrocal, Watercolor, Pigment, Plaster Wrap, Wood, Cold Wax
6 x 16 x 5 ½ inches

Shelters From the Storm #12 (detail)

David McDonald
Shelters From the Storm #16
2022
Hydrocal, Watercolor, Pigment, Acrylic, Wood, Cold Wax
5 ½ x 10 ½ x 7 ½ inches

Shelters From the Storm #16 (detail)

David McDonald
Shelters From the Storm #7
2022
Hydrocal, Watercolor, Pigment, House Paint, Wood, Cold Wax
7 x 9 ½ x 7 inches

Shelters From the Storm #7 (detail)

David McDonald
Shelters From the Storm #15
2022
Hydrocal, Watercolor, Pigment, Wood, Enamel Paint, Cold Wax
5 ½ x 7 x 7 ½ inches

Shelters From the Storm #15 (detail)

David McDonald
Shelters From the Storm #2
2021
Hydrocal, Watercolor, Pigment, Wood, Enamel Paint, Cold Wax
5 ½ x 11 ½ x 6 inches

Shelters From the Storm #2 (detail)

DavidMcDonaldSheltersFromtheStorm9.6.jpg

David McDonald
Shelters From the Storm #9
2022
Hydrocal, Watercolor, Pigment, House Paint, Wood, Cold Wax
8 x 12 x 7 ¾ inches

Shelters From the Storm #9 (detail)

David McDonald
Shelters From the Storm #11
2022
Hydrocal, Watercolor, Pigment, Acrylic, Wood, Cold Wax
4 x 10 ½ x 7 inches

Shelters From the Storm #11 (detail)

David McDonald
Shelters From the Storm #13
2022
Hydrocal, Watercolor, Pigment, Wood, Cold Wax
4 ½ x 6 x 6 inches

Shelters From the Storm #13 (detail)

David McDonald
Shelters From the Storm #10
2022
Hydrocal, Watercolor, Pigment, House Paint, Wood, Cold Wax
3 ½ x 6 ½ x 3 inches

Shelters From the Storm #10 (detail)

DavidMcDonaldSheltersFromtheStorm10.6.jpg

Utako Shindo | the night falls and the day breaks | 日が暮れて | 夜が明ける - 2/26/2022

mi camino con ella
takes my hand in the dark

night is the warm shadow
of the earthʼs own

suffering to transfer life
throwing to breathe a line

time is descended
space is drawn

山```````````````海
mountainocean

mi camino con ella
彼女と歩く道
暗がりで私の手を取る

夜とは
地球自身の暖かい影

生をうつす苦悩
線をいぶく投擲

時が降りゆく間
空が導かれる間

山```````````````海
Mountainocean
やま～～～うみ

Utako Shindo
Untitled (lengthening and…)
2021 / sumi ink on watercolor paper curved / 10 x 6 x 3.25 inches

Untitled (lengthening and…) detail

Utako Shindo
Untitled (stratum)
2021 / sumi ink on watercolor paper curved / 5.25 x 4.75 x 1 inches

Utako Shindo
Volcán
2021 / sumi ink on watercolor paper curved (front and back) / 4.25 x 7.25 x 0.625 inches

2021 / stoneware / 3.75 (diameter) x 1.5 (height) inches

Utako Shindo
Clouds - falling
2022 / sumi ink on watercolor paper (front and back) / 3.5 x 3.5 inches (10.25 x 8.25 framed)

Utako Shindo
Venus con ella - Subaru
2020 / ink pen and correction tape on drawing paper (front and back) / 5 x 3.4 inches (10.5 x 8.5 framed)

Utako Shindo
Night Sight #1-2
2019 / pigment ink printed on inkjet paper / 18.875 x 12.875 inches

Utako Shindo
Night Sight #3-4
2019 / pigment ink printed on inkjet paper / 18.875 x 12.875 inches

Utako Shindo
Listening
2021 / stoneware vessel / 3.375 (diameter) x 1.625 (height) inches

2021 / sumi ink on printmaking paper rounded / 5.375 x 3.5 x 2.75 inches

Utako Shindo
Nocturnal
2021 / stoneware vessel / 2.5 (diameter) x 1.75 (height) inches

2021 / sumi ink on watercolor paper juxtaposed /10 x 10.5 inches

Utako Shindo
Untranslatable
2021 /stoneware vessel /2.5 (diameter) x 1.5 (height) inches

2022 /Sumi ink on watercolor paper curved /2.5 x 5.5 x 1.875 inches

Utako Shindo
夜のとばり- Veil of darkness
2022 / sumi ink on watercolor paper / 11.75 x 11.75 inches (20.25 x 20.25 in frame)

Utako Shindo
Luminous
2021 / stoneware vessel / 2.625 (diameter) x 1.625 (height) inches

Utako Shindo
Gate
2019 / carbon transfer on vellum / 11.875 x 9 inches

Utako Shindo
Descended
2021 / sumi ink on watercolor paper / 5.25 x 1.625 inches

Utako Shindo
Flamed
2021 / stoneware vessel / 4.125 (diameter) x 1.625 (height) inches

Utako Shindo
Flamed
2021 / sumi ink on printmaking paper curved / 3.75 x 9.375 x 1.75 inches

Utako Shindo
Doubled
2021 / stoneware vessel doubled / 3.5 (diameter) x 3.74 (height) inches

2021 / sumi ink on printmaking paper folded / 5.5 x 4.5x 1.125 inches

Utako Shindo
Cuddled
2022 / sumi ink on printmaking paper curved / 3.75 x 9.375 x 4 inches

Utako Shindo
曙光 – Morgenröte
2022 / sumi ink on watercolor paper / 11.75 x 11.75 inches (20.25 x 20.25 in frame)

Utako Shindo
Sounding #1
2021 / stoneware vessel / 3.5 (diameter) x 1.25 (height)

2022 / sumi ink on printmaking paper rounded / 4.5 x 3.75x 2.375

Utako Shindo
Sounding #2 & Sounding #1

Utako Shindo
Espacing #2
2021 / stoneware vessel / 2.75 (diameter) x 1.25 (height) inches2021 /

sumi ink on printmaking paper folded / 4.5 x 3.625 x 2.25 inches

Utako Shindo
Espacing #1
2021 / stoneware vessel / 2.5 (diameter) x 1.25 (height) inches

2021 / sumi ink on printmaking paper folded / 4.5 x 3.75x 2.375 inches

Utako Shindo
…. And we are blind to life, 5.
2020-22
ink, graphite, mechanical pencil, tobacco paper (front and back), tape
5.5 x 7 (12 x 15.5 in frame)

Untranslatable

Untranslatable (top down)

Untranslatable (back)

Gus Foster | As Time Goes By - 12/17/21

Gus Foster
As Time Goes By (Jemez Mountains)
2021
42 1/2 x 9 1/2 inches
Photographic print

Gus Foster
KJESSEL KJUMPING, SUMMIT COUNTY, CO, 1989
435 degree panoramic photograph .97 seconds
42 ⅝ x 9 ½ inches
Archival pigment print

Gus Foster
THIRTY-FOUR DAYS, NEW GROWTH, 2020
3/31/20 - 5/3/20
26 x 16 ¼inches
Archival pigment print

Gus Foster
FOUR SEASONS, 2019-2020
Spring 4/19/19
Summer 8/8/19
Fall 11/11/19
Winter 2/5/20
9 ¼ x 24 ¾ inches
Archival pigment print

Gus Foster
SKULL QUARTET, 2021
11/21/21 4:39-4:53
11/29/21 4:46-4:49
11/30/21 4:38-4:46
12/01/21 4:42-4:57
16 x 20 ⅛ inches
Archival pigment print

Gus Foster
TIME TO DISAPPEAR, SAN DIEGO, CA, 2002
566 degree panoramic photograph 1.27 seconds
8 ¼ x 48 ⅛ inches
Archival pigment print

Gus Foster
LAKE KATHRINE BRIDGE, ONEIDA COUNTY, WI 1983
1333 degree panoramic photograph 2.96 seconds
11 x 93 inches
Archival pigment print

Gus Foster
MAH WHAU LU (PUEBLO PEAK), 2018
1/4/18-3/22/18
42 ½ x 9 inches
Archival pigment print

Gus Foster
SKULL II, 2020
2/9/20-3/23/20
42 ½ x 9 inches
Archival pigment print

Gus Foster
JICARITA PEAK, 2020
1/24/20-3/26/20
42 ½ x 9 inches
Archival pigment print

Gus Foster
JEMEZ MOUNTAINS, 2021
11/2/21-11/16/21
42 ½ x 9 inches
Archival pigment print

Gus Foster
TRES OREJAS II, 2021
10/15/21 - 11/10/21
42 ½ x 9 inches
Archival pigment print

Gus Foster
TRES OREJAS III, 2021
10/8/21-11/15/21
42 ½ x 9 inches
Archival pigment print

Gus Foster
BULLET TRAIN, HAMAMATSU, JAPAN, 1991
Station 30 of the Tokaido Road
1026 degree panoramic photograph 2.5 seconds
11 x 96 inches
Archival pigment print

UNRAVELED | installation by Ilona Pachler - 11/12/21

In her current work Ilona Pachler has been assembling a series of texts and ephemeral sculptures that express a feminine interpretation of parts of classic Greek Mythologies. Approaching them from the vantage point of figures that were written into monsters, whores and witches, a recanting of these male positions seemed necessary. As women, our own mythologies were never written by us. There were no texts talking about possibilities of hope, inclusions and beauty. Words by Gods and Kings - the only gospel handed down to us in male voices.

After reading “The Laugh of Medusa” an essay by the French philosopher Hélène Cixous in which the author exclaims that: “You only have to look at the Medusa straight on to see her. She’s beautiful and she’s laughing.” She began to write over exclusions and omissions and in her own voice. The title of these writings are called : Unraveling the labyrinth. The labyrinth that was built is being unraveled. It stood for a place of the hidden, the unwanted. Besides being a territory that all humans walk through in life.

Containing the Minotaur - not as a monster - but a figure that for his appearance was hidden away, together with Medusa and Medea,- two women that were wronged and punished beyond reason. These are written finally into a different context, circumstances of beauty and change and gained wisdoms through their experiences .

Currently she is collaborating with Minerva Projects in New York and owner, curator and writer Yasmeen Siddiqui - on having these texts published.

The accompanying visuals to the texts consist of abstracted, ephemeral sculptures using string, twine, thread and rope, to lay out and echoing the presence of these three figures, as they meet in the labyrinth. Working in her studio, these visual representations are taken down after being photographed and the photographic images will intertwine with the written word in the texts. As the sculptures in their non existence can never be viewed in the original form when first created, so are words that where unwritten in the past.

In her work at 5. Gallery she will exhibit an installation of new visuals of these figures that will again disappear after the installation is taken down. Even if recreated they can never be the same, as materials, knots, outlines - and the space that is their container - change. It is a progression of the studio work and a completely new temporal answer of images that inform her perspectives about these myths.

Ilona Pachler
Medusa Assemblage
2021
Linen, twine, dried flower pods, clay

Ilona Pachler
Hate is a bottomless cup
2021
5 x 5 x 3 inches
Clay, Pigments, Mirror

Ilona Pachler
Minotaur Assemblage
2021
Animal Hide, nails, rope

Ilona Pachler
Pierced Horn (Minotaur)
2021
33 x 4 ⅗ x 16 inches
Clay, Pigments, brass, walnut wood

Ilona Pachler
Medea Assemblage
2021
Dyed rope, nails, twine, brass, feather

Ilona Pachler
Infant Minotaur
2021
17 ⅝ x 5 ⅜ inches
Found horseshoe fragment, string, stone

Ilona Pachler
Minotaur’s Boat
2021
17 x 5 ⅜ x 2 ⅞ inches
Clay, Moroccan indigo, white pigment

Ilona Pachler
Labyrinth Drawing #18
2021
21 ½ x 17 ½ inches

Desiree Manville watermark - 9/17/21

Desiree Manville
Bales Alamosa Colorado
2018
2/5
2 3/8 x 3 1/2 inches
Silver Print

Desiree Manville
Hay Stack Alamosa, Colorado
2018
2 / 5
2 ⅜ x 3 ⅜ inches
Silver Print

Desiree Manville
Hay Stacks Alamosa, Colorado
2018
2 / 5
2 ⅜ x 3 ⅜ inches
Silver Print

Desiree Manville
Bales II Alamosa, Colorado
2018
2 / 5
2 ⅜ x 3 ⅜ inches
Silver Print

Desiree Manville
Cypress Swamp Ochopee, Florida
1985
1 / 5
2 ⅜ x 3 ⅜ inches
Silver Print

Desiree Manville
Snow Fence Taos, New Mexico
2014
2 / 5
2 ⅜ x 3 ½ inches
Silver Print

Desiree Manville
Bosque del Apache
1998
1 / 5
4 x 4 inches
Silver Print

Desiree Manville
Palo Duro, the Lone Star State
2016
2 / 5
2 ⅜ x 3 ⅜ inches
Silver Print

Desiree Manville
Autumn days El Prado, New Mexico
1996
1 / 2
2 ¼ x 3 ¼ inches
Platinum Print

Desiree Manville
Left Behind
2021
1 / 5
2 ¾ x 3 ½ inches
Archival Pigment Print

Desiree Manville
Tree Columbine Trail
2018
1 / 5
2 ⅜ x 3 ¼ inches
Archival Pigment Print

Desiree Manville
Cleveland, New Mexico
2003
5 / 5
2 ⅜ x 2 ⅜ inches
Sepia toned Silver Print

Desiree Manville
Tumbleweeds Alcalde, New Mexico
2012
2 / 5
2 ⅜ x 2 ⅜ inches
Sepia toned Silver Print

Desiree Manville
U.F.O. Peñasco, New Mexico
1996
1 / 5
4 ¼ x 3 inches
Silver Print

Desiree Manville
Watermark I Rift Trail
2021
1 / 5
3 ¼ x 2 ⅜ inches
Archival Pigment Print

Desiree Manville
Watermark II Rift Trail
2021
1 / 5
3 ¼ x 2 ⅜ inches
Archival Pigment Print

Desiree Manville
Watermark III Rift Trail
2021
1 / 5
3 ¼ x 2 ⅜ inches
Archival Pigment Print

Desiree Manville
Left Behind II
2021
1 / 5
2 ¾ x 3 ½ inches
Archival Pigment Print

Desiree Manville
Arizona at dusk
2020
1 / 5
2 ¾ x 3 ½ inches
Archival Pigment Print

Desiree Manville
Left Behind III
2021
1 / 5
2 ¾ x 3 ½ inches
Archival Pigment Print

Desiree Manville
Horse II Taos, New Mexico
2016
1 / 5
4 x 4 inches
Archival Pigment Print

ALLAN GRAHAM you are standing exactly where meaning is - 8/7/2021

Allan Graham / Toadhouse
milk
2016/18
43 x 52 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
Fini
2016
12 x 11
Oil and graphite on canvas

Allan Graham / Toadhouse
Ther
2016
11 ½ x 12 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
YOU ARE HEAR
2018
50 x 42 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
TIDE (two ideas defining emptiness)
1994
8 ½ x 3 ⅛ x 3 ¾
Oil on cast bronze

Allan Graham / Toadhouse
Side
2016/18
11 x 11 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
and
2016
11 x 12 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
Sit
2016
12 x 11 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
I’m pure / impure
2018
40 x 50 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
Time
2016
12 x 12 inches
Oil and graphite on canvas

Allan Graham / Toadhouse
They
2016
12 x 12 ½ inches
Oil and graphite on canvas

Allan Graham / Toadhouse
no thy self
2018
43 x 49 inches
Oil and graphite on canvas

MARC BASEMAN field of heaven - 6/25/2021

Marc Baseman
Landfall drawing (Madrid II)
2017
2 1/2 x 3 1/4 inches
Graphite, dry pigment, and ink on paper

Marc Baseman
First/Last (lll)
2020
2 ½ x 3 ¼ inches
Graphite on paper

Marc Baseman
Arco
2017-2021
3 ½ x 1 ¾ inches
Graphite and colored pencil on paper

Marc Baseman
Field Drawing (lll)
2020
1 ⅞ x 2 ⅞ inches
Graphite on paper

Marc Baseman
Field Drawing (ll)
2019
2 ⅛ x 2 ⅞ inches
Graphite on paper

Marc Baseman
Landfall drawing (Madrid)
2017
2 x 2 inches
Graphite on paper

Marc Baseman
Field of Heaven (Madrid)
2019
1 5/8 x 1 1/2 inches
Graphite on paper

Marc Baseman
Madrid (preliminary drawing)
2018
1 ⅝ x 1 ⅞ inches
Graphite on paper

Marc Baseman
Field of Heaven (Madrid)
2018
1 ⅜ x 2 ⅝ inches
Graphite and ink on paper

Marc Baseman
Landfall drawing (Madrid III)
2017
2 x 4 inches
Graphite on paper

Marc Baseman
Madrid
2018
5 x 7 inches
Etching on paper
Edition of 30

Marc Baseman
First/Last
2020
5 1/2 x 7 inches
Graphite on paper

Marc Baseman
First/Last (ll)
2020
3 3/4 x 6 inches
Graphite on paper

Marc Baseman
Tuesday
2021
4 3/8 x 3 5/8 inches
Graphite on paper

Marc Baseman
After
2021
2 x 2 inches
Graphite on paper

Marc Baseman
Dust
2019
3 ¾ x 2 ⅜ inches
Graphite and colored pencil on paper

Marc Baseman
Field of Heaven
2019
2 1/2 x 2 1/2 inches
Graphite on paper

Marc Baseman
No title
2019
3 ⅛ x 3 ⅞ inches
Graphite, ink, and colored pencil on paper

Marc Baseman
Field Drawing
2019
1 ½ x 4 inches
Graphite and ink on paper

Egypt - 5/28/2021

Jean Pascal Sébah
Grande pyramide de Chéops Gyzéh
C. 1875
8 x 10 inches
Albumen print

Jean Pascal Sébah
Porteur d'eau
C. 1875
5 x 4 ¾ inches
Albumen print

Unknown (Napoleon’s Carriage)
7 x 9 ½ inches

Pascal Sébah
Colonnade du temple d’Osiris. Abydos, Hte. Egypte
Late 19th century
7 ¾ x 10 inches
Albumen print

Carlo Naya
Egyption Woman
1876
3 ¼ x 4 ⅜ inches
Albumen print

Unknown
5 ⅜ x 3 ¾ inches

Jean Pascal Sébah
Cimetière Arab (Tourab)
Circa 1873
8 x 10 inches
Albumen print

Jean Pascal Sébah
Propylées du Sud, Karnak
C. 1875
10 x 8 inches
Albumen print

Jean Pascal Sébah
Rhamesséïon a Thèbes Caryatides et débris de la Statue de Rhames II
C. 1875
8 x 10 inches
Albumen print

Jean Pascal Sébah
Grande pyramide de Chéops à Gyzeh
C. 1874
10 x 13 ⅜ inches
Albumen print

Unknown (possibly Pascal Sébah)
Fellah et son enfant
Late 19th Century
5 ¾ x 3 ⅞ inches
Albumen print

Jean Pascal Sébah
Temple de KARNAK. Obélisques et ruines du 4me Pylône
C. 1875
8 x 10 inches
Albumen print

Pascal Sébah
Grandé Pyramide de Zakarah
Late 19th Century
10 ⅜ x 8 inches
Albumen print

Jean Pascal Sébah
Colosses de Memnon à Thèbes.
C. 1873
8 x 10 inches
Albumen print

Unknown
4 ⅜ x 2 ⅞ inches

Jean Pascal Sébah
Temple de Kom-Ombos Hte. Egypte
C. 1874
8 x 10 inches
Albumen print

Jean Pascal Sébah
Pyramide de Chéops, le Sphynx et le Temple de Chafra, Gyzéh.
C. 1874
8 x 10 inches
Albumen print

Jean Pascal Sébah
Temple d'Edfou. Colonnade de la Cour
C. 1876
8 x 10 ¼ inches
Albumen Print

Jean Pascal Sébah
Temple de la déesse Hathor à Denderah, Hte. Egypte
C. 1875
8 x 10 inches
Albumen print

ROGER WALKER - 3/4/2021

Roger Walker
untitled
2003
9 x 9 inches
ink on paper

Roger Walker
untitled
2004
9 x 9 inches
ink on paper

Roger Walker
untitled
2003
9 x 9 inches
ink on paper

Roger Walker
untitled
N/A
9 x 9 inches
ink on paper

Roger Walker
untitled
2003
9 x 9 inches
ink on paper

Roger Walker
untitled
N/A
9 x 9 inches
ink on paper

Roger Walker
untitled
2002
9 x 9 inches
ink on paper

Roger Walker
untitled
2003
9 x 9 inches
ink on paper

Friendship and what we find in the commonality of our differences - 11/20/2020

Marc Baseman
Wes Mills
Cesar Santos
Turner Vinson

Cesar Santos
Valentina
2020
24 x 19 inches
Oil on linen

Turner Vinson
On the Bank
2020
22 x 28 inches
Oil

Marc Baseman
Preliminary Drawing (Radio Telepathy)
2009
5 9/16 x 7 ⅛ inches
Graphite on paper

Marc Baseman
Radio Telepathy
2009
2 ¾ x 2 ¾ inches
Graphite and dry pigment on paper

Turner Vinson
Under the Green Tree
2020
22 x 28 inches
Oil

Turner Vinson
October Water
2020
22 x 28 inches
Oil

Wes Mills
”firmament” -1
2020
Approx. 7 inches round x 1 inch deep
Graphite painted panel

Wes Mills
”firmament” -3
2020
Approx. 6-7 inches round x 1 inch deep
Graphite painted panel

Wes Mills
”firmament” -2
2020
Approx. 6 inches round x 1 inch deep
Graphite painted panel

Wes Mills
untitled
2007
12 x 12 inches
Graphite, ink on paper

Cesar Santos
Seventeen
2020
24 x 19 inches
Oil on linen

Cesar Santos
Man Leaning
2020
24 x 19 inches
Oil on linen

Marc Baseman
Untitled (Moontower)
2013
4 x 4 inches
Graphite and pigment on paper

Marc Baseman
Untitled (Spain)
2014
4 x 4 inches
Graphite and pigment on paper

Marc Baseman
April
2013
4 x 4 inches
Graphite and dry pigment on paper

Marc Baseman
Köln
2014
4 x 4 inches
Graphite on paper

Marc Baseman
Landfall drawing (Madrid II)
2017
2 1/2 x 3 1/4 inches
Graphite, dry pigment, and ink on paper

Agnes Martin selected works on paper - 10/2/2020

Open by appointment

Masks and social distancing practices required

to make an appointment please contact the gallery
505.257.8417
maxbaseman@5pointgallery.com

Agnes Martin
2000 / 2001
image size: 9 x 9 inches
graphite on paper

Agnes Martin
ca. 1995
image size: 9 x 9 inches
ink, paint, and graphite on paper

Agnes Martin
ca. 1995
image size: 9 x 9 inches
ink on paper

James Sterling Pitt | a punching bag and an ocean - 8/7/2020

James Sterling Pitt
a resting place
Acrylic on wood
6 ½ x 3 ½ x 3 inches
2020

James Sterling Pitt
Untitled (chair)
Acrylic on wood
57 x 21 ¾ x 35 inches
2020

James Sterling Pitt & Jim Steritz
untitled
Ceramic vessels
Sizes vary
2020

James Sterling Pitt
Untitled (chair)
Acrylic on wood
20 ⅜ x 19 ⅞ x 37 inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
7 ¼ x 9 ⅜ x 4 ⅝ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
4 ½ x 5 ⅝ x 2 ¾ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
4 ½ x 7 x 5 ⅝ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
and ABS plastic
11 ¼ x 7 ⅝ x 1 ⅜ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
and rock
5 ¾ x 4 ½ x 8 ⅝ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
4 ½ x 7 x 5 ⅛ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
5 ½ x 2 ¾ x 4 ⅝ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
and ABS plastic
5 ¾ x 3 ½ x 4 ⅛ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
8 x 2 ¼ x 7 ½ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
3 ½ x 8 x 4 ¼ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
6 ⅛ x 4 ½ x 6 ¼ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
10 ⅛ x 5 x 6 ¼ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
6 ⅝ x 4 ⅛ x 5 ½ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
6 ½ x 2 x 4 ⅛ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
5 ¾ x 2 ¼ x 5 ⅜ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
9 x 6 x 8 ⅞ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
6 ¼ x 3 ¾ x 6 ¼ inches
2020

James Sterling Pitt
Untitled
Acrylic on wood
5 ⅞ x 2 ¾ x 3 ¼ inches
2020

James Sterling Pitt
a punching bag and an ocean
Acrylic on wood
2 ⅝ x 2 ¾ x 3 ¼ inches
2020

Glenn Goldberg | Physical Language - 6/20/2020

These works are made while sitting at a table. They begin with a paper armature and then colors get mixed in with wet papier mache and are added with a popsicle stick. Each piece gets built up in an additive manner until it feels complete and worthy of its existence. I think of them as lovable, a bit funky, architectural, deceptive, feeling based and a bit heady. The goal is for them to give back more than the space that they take up. They look as if they could have been made by a weekend hobbyist in a garage who got a bit over-involved. They seem as if they have utility, like a clumsy toy rocket, but somehow we know that they are meant to sit still and simply “be”.

Glenn Goldberg
Second Tower 3
Colored Papier-mâché
2 x 2 x 12 1/4 inches
2019

Glenn Goldberg
Tower 3
Colored papier-mâché
3 1/2 x 3 5/8 x 8 1/4 inches
2019

Glenn Goldberg
Tower 4
Colored Papier-mâché
3 5/8 x 3 1/4 x 8 7/8 inches
2019

Glenn Goldberg
Second Tower 4
Colored papier-mâché
2 5/8 x 3 x 12 1/8 inches
2019

Glenn Goldberg
Tower 5
Colored papier-mâché
4 x 4 1/4 x 9 3/4 inches
2019

VISUAL LIMITS - 3/20/2020

Stuart Arends

Wes Mills

Bruce of Los Angeles

Debbie Long

Allan Graham

Marc Baseman

Michael Diaz

Philadelphia Wireman

Dennis Oppenheim

Joel-Peter Witkin

Visual Limits

Stuart Arends
Kline Box
Found wood and oil paint
6 ⅞ x 5 ⅜ x 4 ½ inches
1982

Wes Mills
no title
4 ¾ x 4 ¾ inches
Graphite on paper
2017

Wes Mills
no title
4 x 4 inches
Graphite on paper
2017

Debbie Long
For Sylvia
Cast glass
8 ⅝ x 11 ½ x 11 inches
2018

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
4 ½ x 3 ½ inches

Allan Graham / Toadhouse
Hey You!
Graphite on Paper
30 x 44 inches
2006

Allan Graham / Toadhouse
Fourteenth Passage
Oil on canvas with pine wood steps
90 x 42 x 4.5 inches
1991

Marc Baseman
Landfall drawing (Madrid)
Graphite on Paper
2 x 2 inches
2017

Marc Baseman
Landfall drawing (Madrid II)
Graphite, dry pigment, and ink on paper
2 1/2 x 3 1/4 inches
2017

Michael Diaz
Oilstick, Tape and Japanese
handmade paper
19 ¾ x 13 ⅞ inches
2019

Philadelphia Wireman
Untitled (brass & white wire)
c. 1970–75
wire, found objects
3 1/2 x 3 x 1 3/4 in

Dennis Oppenheim
Flower Arrangement for Bruce Nauman
Artists’ book, offset printed
6 3/16 × 9 ¼ inches (page), 6 5/8 × 9 5/8 × ⅜ inches (closed) 6 feet (open)
1970

Joel-Peter Witkin
Beauty Has Three Nipples, Berlin
8 x 9 ½ inches
Etching
1998

BRUCE of LOS ANGELES - 1/24/2020

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
9 ¼ x 7 ¼ inches

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
4 x 5 inches

Bruce of Los Angeles
Untitled
Photograph
Posing Strap Era (c. 1950’s)
4 x 5 inches

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
3 ½ x 4 ½ inches

Bruce of Los Angeles
Untitled
Photograph
Posing Strap Era (c. 1950’s)
7 ½ x 9 ½ inches

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
7 ½ x 9 ½ inches

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
8 x 6 ½ inches

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
4 ½ x 3 ½ inches

Bruce of Los Angeles
Untitled (Steve Reeves)
Photograph
C. 1950’s
4 ½ x 3 ½ inches

Bruce of Los Angeles
Untitled
Photograph
C. 1950’s
4 ½ x 3 ½ inches

James Castle | Philadelphia Wireman | 12/13/2019

James Castle
Philadelphia Wireman

James Castle
Untitled (Pulp drawing with five figures)
n.d.
Color of unknown origin on found paper
5 1/2 x 11 in

Philadelphia Wireman
Untitled (two matchbooks)
c. 1970–75
wire, found objects
4 3/4 x 2 x 1 3/4 in

James Castle
Untitled (White figure in landscape)
n.d.
Found paper and color of unknown origin
4 3/4 x 5 1/4 in

James Castle
Untitled (Friends with books)
n.d.
Soot and saliva on found paper
3 7/8 x 4 7/8 in

James Castle
Untitled (color abstraction)
n.d.
Soot and saliva on found paper, double sided
2 ⅜ x 4 ½ in

Philadelphia Wireman
Untitled (Silver packet)
c. 1970–75
Wire, found objects
4 1/2 x 2 1/4 x 1 in

James Castle
Untitled (Pictographs)
n.d.
Color of unknown origin on found paper, double-sided
4 3/4 x 6 in

James Castle
Untitled (Pulp drawing with five figures)
n.d.
Color of unknown origin on found paper
5 1/2 x 11 in

Philadelphia Wireman
Untitled (wire, screw, paper)
c. 1970–1975
wire, found objects
4 3/4 x 3 x 1 1/4 in

James Castle
Untitled (Abstract patterns)
n.d.
Soot and saliva on found paper
6 3/8 x 5 1/2 in

Philadelphia Wireman
Untitled (clear plastic tape)
c. 1970–75
wire, found objects
3 1/2 x 2 1/2 x 1 in

Philadelphia Wireman
Untitled
c. 1970–1975
wire, newspaper, plastic, found objects
8 x 2 x 1 3/4 in

James Castle
Untitled (landscape with house)
n.d.
Soot and spit on found paper, double sided
5 ½ x 7 ¾ inches

James Castle
Untitled (Interior with Stove, Framed Pictures)
n.d.
Soot and saliva on found paper
4 7/8 x 8 3/4 in

Philadelphia Wireman
Untitled (brass & white wire)
c. 1970–75
wire, found objects
3 1/2 x 3 x 1 3/4 in

What makes the wave break? Allan Graham | 10/26/2019

Allan Graham

Allan Graham / Toadhouse
Selfie
Single Print
48 x 37 inches
2018

Allan Graham / Toadhouse
Fourteenth Passage
Oil on canvas with pine wood steps
90 x 42 x 4.5 inches
1991

Allan Graham / Toadhouse
Sirius
Oil on Canvas
9 x 12 inches
2018

Allan Graham & John Yau
MORT-GAUGE CANCELED
Single Print
60 x 43 inches
2008

Allan Graham / Toadhouse
N/A
Pages from The Message of the Stars and oil
on canvas and wood
76 ⅛ x 6 ⅞ x 7 ½ inches
1984

Allan Graham / Toadhouse
TIDE (two ideas defining emptiness)
Oil on cast bronze
8 ½ x 3 ⅛ x 3 ¾
1994

Allan Graham / Toadhouse
Restless Till Dead Dumb
Graphite on paper
20 x 25 ¾ inches
2006

Allan Graham / Toadhouse
Bent light bent back
Chrome auto bumper with
vinyl bumper sticker
69 ⅝ x 18 ⅞ x 10 ½ inches
1990

Allan Graham / Toadhouse
Sorry
Oil on canvas
7 x 9 feet
2019

Allan Graham / Toadhouse
Side
Oil on canvas
9 ½ x 11 inches
2016 / 18

Allan Graham / Toadhouse
Return of the present
Graphite on baseball
4 ½ x 4 ½ x 5 ¼
2010

Michael Diaz | Drawings - 8/20/2019

Michael Diaz
Untitled
Oilstick and Japanese
handmade paper
17 ⅜ x 21 ⅛ inches
2019

Michael Diaz
Oilstick, Tape, and Japanese
handmade paper
19 ¾ x 13 ⅞ inches
2019

Michael Diaz
Untitled
Oilstick and Japanese
handmade paper
18 ⅛ x 22 ⅛ inches
2019

Michael Diaz
Untitled
Oilstick and Japanese
handmade paper
13 ⅞ x 19 ¼ inches
2019

Michael Diaz
Untitled
Oilstick and Japanese
handmade paper
18 ⅛ x 22 ⅛ inches
2019

Michael Diaz
Untitled
Oilstick and Japanese
handmade paper
13 ⅞ x 19 ¼ inches
2019

Michael Diaz
Untitled
Oilstick and Japanese
handmade paper
21 ⅝ x 29 ¼ inches
2019

Michael Diaz
Untitled
Oilstick and Japanese
handmade paper
18 ⅛ x 22 ⅛ inches
2019

DISCO CHRONICLES | Darrell Wilks - 8/16/2019

New Works from Darrell Wilks

Darrell Wilks
Posiedon
Acrylic/Collage on canvas
60 x 48 inches
2019

detail

Darrell Wilks
Zeus
Acrylic/Collage on canvas
60 x 48 inches
2019

detail

Darrell Wilks
Olympus
Acrylic/Collage on canvas
60 x 48 inches
2019

detail

Darrell Wilks
Flesh to Bone
Acrylic/Collage on canvas
60 x 96 inches
2019

detail

Darrell Wilks
7 E. 14th Street
Acrylic/Collage on canvas
60 x 48 inches
2019

detail

Darrell Wilks
Full Moon
Acrylic/Collage on canvas
60 x 48 inches
2019

detail

Darrell Wilks
WaterTemple
Acrylic/Collage on canvas
60 x 48 inches
2019

detail

Darrell Wilks
1716 Hollywood Drive
Acrylic/Collage on canvas
60 x 48 inches
2019

detail

Stuart Arends | Five White - 7/12/2019

5 predominantly white works from Stuart Arends

Stuart Arends
Stanza del’Amore #4
Oil on Wood
60 x 4 ½ x 4 inches

Stuart Arends
Kid Block #23
Oil and Wax on Found Wood
1 ¾ x 1 ¾ x 1 ¾ inches
2014

Stuart Arends
My Father’s House # 8
Oil and Wax on Found Wood
5 ⅜ x 5 ⅜ x 4 ⅞
2016

Stuart Arends
S-Box # 4
Ink, Oil and Wax on Wood
5 ½ x 5 ½ x 3
2016

Stuart Arends
Untitled With White
Oil and Wax on Wood
4 x 4 x 2 ¾ inches
2012

GENDRON JENSEN | BIDDEN | 5/31/2019

Gendron Jensen
Untitled (BIDDEN V)
raven skull and turtle scapula bones
graphite on paper
40 x 30 inches
2010

Gendron Jensen
Untitled (diptych)
Bear bones
Graphite on paper
14 x 15 ½ inches
2005

Gendron Jensen
Untitled (diptych)
Bear bones
Graphite on paper
14 x 15 ½ inches
2005

Untitled Bear bones diptychs

Gendron Jensen
She has had much wrong
Deer relics
Graphite on paper
72 x 42 inches
2004

Gendron Jensen
Untitled (BIDDEN VI)
Great Horned owl skull and
Beaver pelvic bones
Graphite on paper
40 x 30 inches
2010

Gendron Jensen
Untitled (BIDDEN VII)
Dolphin skull and
Bald eagle humeral bones
Graphite on Paper
30 x 40 inches
2010

Gendron Jensen
dénoument
Blue whale ear bones
Lithograph 35/50
22 5/16 x 29 5/16 inches
2015

Gendron Jensen
Singer of Songs
Vertebrae relics of coyotes
Lithograph 20 / 25
30 x 22 ⅛ inches
1989

Mary Peck | Spaces in Between: Following the Route of Keystone XL - 4/19/2019

Mary Peck
Durkee Lake
Faith, South Dakota
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Cottonwoods at Black Bridge
Yellowstone River
Glendive, Montana
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Big Sandy Creek
North of Atkinson, Nebraska
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Niobrara River
South of Butte, Nebraska
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Cottonwoods, Yellowstone River
Glendive, Montana
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Fort Peck Indian Reservation
Missouri River at Lewis and Clark Bridge
Wolf Point, Montana
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Highway 79
South of Reva, South Dakota
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Missouri River
North of Niobrara City, Nebraska
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Niobrara National Scenic River Corridor
North of Newport, Nebraska
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Beaver Creek
Boone, Nebraska
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Syncrude Tailings Pond
North of Ft. McMurray, Alberta
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Little Blue River
Steele City, Nebraska
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Mary Peck
Elkhorn River
Near Tilden, Nebraska
Archival pigment print
Edition of 15
22 x 26 ½ inches
2017

Wes Mills drawing and a history - 9/8/2019

Wes Mills

Wes Mills
no title
3 ⅝ x 3 inches
Graphite on paper
2016

Wes Mills
no title
3 ⅝ x 3 inches
Graphite on paper
2016

Wes Mills
no title
3 ⅝ x 3 inches
Graphite on paper
2016

(detail)

Wes Mills
no title
9 ½ x 2 ¼ x 7 ¼ inches
Artist made travel box containing
drawing materials, paper, completed drawings
C 1990’s

Wes Mills
Mondrians Forest
40 individual framed pieces (each 6 ¼ x 3 ⅛ inches)
Ink, graphite on paper
2002

Wes Mills
no title
9 ½ x 9 ½ inches
Graphite, ink and pigment on paper
1997

Wes Mills
Germany show (detail)
9 individual framed pieces (each 5 ½ x 2 ½ inches)
Graphite on paper
2009

Wes Mills
no title
11 x 11 inches
Graphite, ink, and pigment on paper
2007

Wes Mills
no title
11 x 11 inches
Graphite, ink, and pigment, on paper
2007

(detail)

Wes Mills
no title
11 x 11 inches
Graphite, ink, on cut paper
2001

Wes Mills
no title
10 x 10 inches
Graphite and pigment on paper
2012

Wes Mills
no title
9 ¾ x 3 x 7 inches
Artist made travel box containing
drawing materials, paper, completed drawings
C 1990’s

Wes Mills
no title
3 ¼ x 2 ¾ x 9 ½ inches
Artist made travel box containing
drawing materials, plexiglass templates,
paper, completed drawings
C 1990’s

Afton Love - 11/16/2018

Afton Love
The Far Range, Peñasco
Graphite, tracing paper, beeswax
42 x 210 inches
2017

The Far Range, Peñasco (detail)

Afton Love
Remnant (union)
Pitfired micaceous clay
15 ½ x 11 ½ x 3 ¼ inches
2018

Afton Love
Split Rock
Graphite, tracing paper, beeswax
70 x 85 inches
2018

Split Rock (detail)

Afton Love
Sixteen Bowls and Sixteen Faces
16 pairs of Pitfired micaceous clay faces and bowls
182 x 12 ½ x 11 ¼ inches
2018

Afton Love
Split Rock

&

Sixteen Bowls and Sixteen Faces

Wilks \ Cousineau - 8/21/2018

Darrell Wilks
Eric Cousineau

Eric Cousineau, selections from American Motel

Darrell Wilks, Tarp Paintings

Eric Cousineau
Hair dryer, Room 126 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
Mini-fridge, Room 112 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
Two blue chairs, Room 23 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2011

Eric Cousineau
Phone, Room 126 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
Chair and Lamp, Room 1153 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2010

Eric Cousineau
TV, Room 14 6 / 20
From American Motel
Archival pigment print
17 x 22 inches
2009

Eric Cousineau
Purple curtain, Room 42 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2017

Eric Cousineau
Thank you for not smoking, Room 35 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2001

Eric Cousineau
Shower, Room 3 1 / 20
From American Motel
Archival pigment print
17 x 22 inches
2009

Darrell Wilks
Shooting Rapids
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Balancing Act
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Sounds of Gravity
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Behind the Veil
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Out of the Shadows
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Conceptual Anarchy
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
City of Darkness
Acrylic on canvas tarp
88 x 64 inches
1999

Darrell Wilks
Paints with Wolves
Acrylic on canvas tarp
88 x 64 inches
1999

Agnes Martin ten prints - 7/27/18

Agnes Martin
Untitled
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #5
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #2
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #1
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #9
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #10
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #3
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #8
Offset lithograph on transparent vellum
12 x 12 inches
1990

Agnes Martin
Untitled #4
Offset lithograph on transparent vellum
12 x 12 inches
1990

Zeitbrechung - 5/4/2018

Ilona Pachler

Ilona Pachler
No. 11 Ship
from in her command sailed 34 black hollow vessels
Large walnut brown ship
10 x 3 ½ x 2 ¼ inches
Clay and pigment
2018

Ilona Pachler
Caput Mortuum
Screenprint behind plex
27 x 43 inches
2016

Temptress
Screenprint behind pelx
27 x 43 inches
2016

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

Ilona Pachler
Relic 2
Clay and pigment
4 x 3 x 2 ¾ inches
2017

$Ilona Pachler 4 Refraction Mirrors Scratched Mirrors 10 x 16 inches ea. 2018$

Ilona Pachler
4 Refraction Mirrors
Scratched Mirrors
10 x 16 inches ea.
2018

$Ilona Pachler #11 Refraction Mirror Scratched Mirror 10 x 16 inches 2018$

Ilona Pachler
#11 Refraction Mirror
Scratched Mirror
10 x 16 inches
2018

Ilona Pachler
House of Palms
Screenprint behind plex
27 x 43 inches
2016

House of Palms
Screenprint on BFK Rives paper 4/4
32 x 48 inches
2016

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

Ilona Pachler
Relic 1
Clay and pigment
4 x 3 x 1 inches
2017

Ilona Pachler
PLUMB BOB
Cast glass, steel & wire
4 ⅝ x 1 inch
2013

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

Ilona Pachler
Temptress
Screenprint on BFK Rives paper 4 of 4
32 x 48 inches ea.
2016

Ilona Pachler
Temptress
Screenprint on BFK Rives paper PP
32 x 48 inches
2016

Ilona Pachler
In her command sailed 34 black hollow vessels
Clay, graphite, pigment, ink, wood, steel, concrete
Sizes ranging from 4 ½ x 1 ½ x 1 to 11 ½ x 4 x 2 ¼ inches
2018

introductions - 3/9/2018

Featuring:

Darrell Wilks
Philadelphia Wireman
Gary Denmark
Z.B. Armstrong
Dennis Oppenheim

Darrell Wilks
Eyeful
Mixed media collage on paper
15 x 20 inches
2005

Darrell Wilks
Fresh Popcorn/No Frills
Mixed media collage on paper
15 x 20 inches
2005

Darrell Wilks
Midcentury City
Mixed media collage on paper
15 x 20 inches
2005

Darrell Wilks
When Spirits Linger
Mixed media collage on paper
15 x 20 inches
2005

&

Darrell Wilks
Hustle and Flow
Mixed media collage on paper
15 x 20 inches
2005

Z.B. Armstrong
Untitled (doomsday calendar)
White paint and marker on cardboard
4 ¾ x 3 ¼ inches
1987

Dennis Oppenheim
Flower Arrangement for Bruce Nauman
Artists’ book, offset printed
6 3/16 × 9 ¼ inches (page), 6 5/8 × 9 5/8 × ⅜ inches (closed) 6 feet (open)
1970

Dennis Oppenheim
Flower Arrangement for Bruce Nauman (detail)

Philadelphia Wireman
Untitled (coffee straw, bullet, screws, safety pin)
Mixed media assemblage
3 x 1 ½ x ⅞ inches

&

Dennis Oppenheim
Flower Arrangement for Bruce Nauman
Artists’ book, offset printed
6 3/16 × 9 ¼ inches (page), 6 5/8 × 9 5/8 × ⅜ inches (closed) 6 feet (open)

1970

Philadelphia Wireman
Untitled (coffee straw, bullet, screws, safety pin)
Mixed media assemblage
3 x 1 ½ x ⅞ inches

Gary Denmark
WHIPPET
Acrylic and collage on board
20 x 16

Gary Denmark
STRADEL
Acrylic and collage on board
20 x 16

William Georgenes - 1/12/2018

William Georgenes
Untitled
10 x 12 x 10 1/2 inches
Mixed media assemblage
2005

William Georgenes
untitled
9 x 10 x 11 inches
mixed media assemblage
2015

William Georgenes
untitled
15 x 6 x 11 inches
mixed media assemblage
016

William Georgenes
THESE ARE NOT ROSES III
12 x 12 x 7 1/2 inches
mixed media assemblage
005

William Georgenes
HOLLYWOOD DREAM
18 1/2 x 11 x 17 inches
mixed media assemblage
015

HOLLYWOOD DREAM (detail)

William Georgenes
RETURN OF THE PIGS
8 x 10 x 10 inches
mixed media assemblage
006

William Georgenes
ROADKILL HOOPDANCE
22 x 15 x 10 inches
mixed media assemblage
015

ROADKILL HOOPDANCE (detail)

William Georgenes
NEWTON CORNER
16 x 14 x 11 inches
mixed media assemblage
013

William Georgenes
FLOAT FROM EDEN
15 x 12 1/2 x 9 inches
mixed media assemblage
2007

William Georgenes
untitled
19 1/2 x 17 x 11 inches
mixed media assemblage
o date

William Georgenes
MEDUSA LOSES IT
14 x 17 x 13 1/2 inches
mixed media assemblage
2011

Pin-Ups of North America - John Connell - 11/10/2017

Featuring the work of John Connell

John Connell
Wild and Reckless Hobos
India ink on paper
17 x 14 inches
1976

John Connel
A Ship Full of Horses from Rhode Island, The Great Mongol’s Daughter and Her Vicious Little Rat Dog
Ink on paper
17 x 14 inches
1976

John Connell
Drunk Again, Vivaldi Swimming through Boston Under the Water Via Chinese Tunnel, The Dreams of Rembrandt
Ink on paper
17 x 14 inches
1977

John Connell
What’s the Matter with the Mill? It Don’t Grind My Cake No More
Ink and watercolor on paper
17 x 14 inches
1977

John Connell
Bataan Death March, Jesus as Warrior
Ink on paper
17 x 14 inches
1977

John Connell
Classical Life in Heaven, Rembrandt, Death of Crazy Horse, Nirvana of Crazy Horse
Ink on paper
17 x 14 inches
1977

John Connell
Thinking of Spring New Mexico; Flurry of Snow Coming Down
Ink on paper
17 x 14 inches
1977

John Connell
Snake Attack while the Bruegel Person Drones Murder on the Bag-pipes while Buddha...
Ink and watercolor on paper
17 x 14 inches
1977

(detail)

John Connell
Meditation Buddha AP
Bronze
12 ⅛ x 10 x 5 ¼ inches &

Earth-touching Buddha 6/12
Bronze
6 ⅝ x 3 ½ x 5 ⅜ inches

John Connell
Bird II
Bronze
6 x 8 ¾ x 3 ¾ inches
1990’s

John Connell
Bird VII
Bronze
7 ½ x 13 ¼ x 10 ¼ inches
1994

John Connell
Bull Dancers, Night and Day, George Catlin
ink on paper
17 x 14
1976

John Connell
Ishi 3/7
Bronze
23 x 15 x 21 inches
Ca. 1979

earth moves shadows - Gloria Graham - 9/29/2017

Earth Moves Shadows

This is a series of individual photographs of eight archaic tools from the Taos plains. With tools placed back onto the prints, lines were drawn to trace their shadows each hour from 7am to 7pm on April 13, 2008.

24 x 37 inches ea.
pigmented ink and graphite
on archival paper
4/13/2008

Everything Is Gone Except Silence - 8/11/2017

Timothy Nero

Timothy Nero
Mental Chew Toy: The Goddamn Priest
8 ½ x 11 inches
Ink on paper

Timothy Nero
Mental Chew Toy: Not Slick
8 ½ x 11 inches
Ink on paper

Timothy Nero
Interrupted and Severed
60 x 48 inches
Acrylic on panel

Mind My Numb: Seldom Clear
Timothy Nero
60 x 48 inches
acrylic on Panel
2017

Timothy Nero
Un-plasticize Mind
48 x 36 inches
Acrylic on panel

Timothy Nero
No Goddamned Clue
60 x 48 inches
Acrylic on panel

Timothy Nero
Endless Disarray
60 x 48 inches
Acrylic on panel

Timothy Nero
(lost in) Mental Fox
60 x 48 inches
Acrylic on panel

Diaz / Miller - 6/23/2017

Michael Diaz & Tom Miller

Tom Miller
Observational Architecture
18 x 25 1/2 inches
Graphite on Bristol
2017

Untitled mixed media works on paper by Michael Diaz

Foundation line and Small Brutal Monument by Tom Miller

Michael Diaz
Untitled
22 1/2 x 18 inches
Mixed media on paper
2016

two pieces by Michael Diaz

Untitled
52 1/2 x 40 inches ea.
Mixed media on paper
2017

imagine, to the sixth power - 5/12/2017

Christine Taylor Patten
imagine, to the sixth power
micro/macro: 221 drawings

Origins: life is a lover - 4/1/2017

featuring:
John Connell
Kerri Rosenstein
Michelle Cooke
Kevin Law
and other works

MIchelle Cooke
Strata Series #6, #27, #41
Graphite, paper, plate oil, acrylic
2002 - 2004
16 x 20 inches

Jade Bi disks and Coiled "Zhulong Pig Dragon"
Late Neolithix / xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 8 ⅝ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 8 ½ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 8 ⅜ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 6 ¼ inches

Bi disk
Late Neolithic / Xia period,
Attr. Qijia cultures of early china
Ca. 2100-1600 BCE
Jade
Diameter: 4 ⅝ inches

China Coiled “Zhulong Pig Dragon”
Late Neolithic Period,
Hongshan Culture.
Diameter: 4 ½ inches

5 found photographs
untitled
circa 1940's
New York

Found photograph
Circa 1940's
New York

Kerri Rosenstein
10 Way Drawings
Pen on Paper
2015 - 2017
11 ½ x 11 ½ inches ea. (framed)

John Connell
Dharma-Chakra Buddha 6/10
Bronze
1980’s
7 ⅕ x 7 x 5 ½ inches

letters of Kevin Law
1980's & 90's

Letters of Kevin Law
1980's & 90's

John Connell
Buddha and Figure
Iron oxide and pigment on paper
Ca. 1990
16 x 14 inches

John Connell
Human Figures II
Iron Oxide and pigment on paper
16 x 14 inches

Wes Mills
Some mound
Oil stick on canvas board
1993
9 ½ x 7 ½ inches

Origins: life is a lover

Greta Young: little people - 2/3/2017

Greta Young
little people

Greta Young
Ballerina
40 x 26 inches
Oilstick on paper

Greta Young
Falling Out
67 x 63 inches
Gesso, oil and oilstick on canvas

Greta Young
Shadows
46 x 25 inches
Sumi ink and oilstick on paper

Greta Young
Foot
48 x 28 inches
Sumi ink and oilstick on paper

Greta Young
Spurt
28 x 42 inches
Mixed media on paper

Greta Young
Sillustani Red
83 x 54 inches
Gesso, oil and oilstick on canvas

Greta Young
Undo
24 x 18 inches
Oilstick on paper

Greta Young
Pile
66 x 48 inches
Oilstick on paper

small - 12/2/2016

small
guest curated by Ann Landi

Works by:

Jan Marie Sessler
TJ Mabrey
Ted Larsen
Sheila Miles
Beverly Rautenberg
Marc Baseman
Susanna Carlisle and Bruce Hamilton
Christine Taylor Patten
McKay Otto
Roger Walker
Desiree Manville

Susanna Carlisle and Bruce Hamilton

Collars and Cuffs
2008
7 x 8 ½ x 8 ½ inches
Antique box with video
Dancer: Rulan Tangen, award winning choreographer and dancer, director at indigenous dance company

Beverly Rautenberg

Homage to Kafka #12
Homage to Kafka #10

Beverly Rautenberg

Homage to Kafka #12
2016
4 x 4 inches
Chromogenic Development Print AP

Beverly Rautenberg

Homage to Kafka #10
2016
4 x 4 inches
Chromogenic Development Print AP

McKay Otto

Untitled
1996
9 x 5 ½ inches
Manipulated found object

Jan Marie Sessler

Aloft
2014
6 ½ x 5 x 1 ¼ inches
Found object and cement

Desiree Manville

CONCRETE CANVAS I
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Desiree Manville

CONCRETE CANVAS II
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Desiree Manville

CONCRETE CANVAS III
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Roger Walker

Untitled
2004
9 x 9 inches
Ink on Paper

Marc Baseman

Convent Street
Dust (Preliminary Drawing)
Radio Telepathy (Preliminary Drawing)
Köln

Marc Baseman

Convent Street
2014
2 ⅞ x 2 ⅞ inches
Graphite and dry Pigment on Paper

Marc Baseman

Dust (Preliminary Drawing)
2014
4 x 4 inches
Graphite on Paper

Marc Baseman

Radio Telepathy (Preliminary Drawing)
2014
4 x 4 inches
Graphite on Paper

Marc Baseman

Köln
2016
4 x 4 inches
Graphite and dry Pigment on Paper

Ted Larsen

Tiny Tank
Dry Creek
Act Naturally

Ted Larsen

Tiny Tank
2016
8 ¾ x 8 ¾ x 2 ¾ inches
Salvage Steel, Marine-grade Plywood, Silicone, Vulcanized Rubber, Hardware

Ted Larsen

Dry Creek
2016
8 ½ x 7 ¾ x 2 ¾ inches
Salvage Steel, Marine-grade Plywood, Silicone, Vulcanized Rubber, Hardware

Ted Larsen

Act Naturally
2016
7 x 6 ¼ x 4 inches
Salvage Steel, Welded Steel, Hardware, Chemicals

Jan Marie Sessler

Long Lost Friend
Entwined
Array
Delicado

Jan Marie Sessler

Long Lost Friend
2014
15 x 13 ½ inches
Chine collé

Jan Marie Sessler

Entwined
2014
15 x 13 ½ inches
Chine collé

Jan Marie Sessler

Array
2014
15 x 13 ½ inches
Chine collé

Jan Marie Sessler

Delicado
2014
15 x 13 ½ inches
Chine collé

Christine Taylor Patten

9 ‘micro tangents’
From 98-245 in ‘micro/macro’ series
T-1 through T-9
2016
3 ½ x 3 ½ inches ea.
Crowquill, ink, paper

Christine Taylor Patten

T-1
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-2
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-3
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-4
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-5
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-6
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-7
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-8
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Christine Taylor Patten

T-9
From 98-245 in ‘micro/macro’ series
2016
3 ½ x 3 ½ inches
Crowquill, ink, paper

Sheila Miles

Night Place
Laundry Day
Greta’s Place

Sheila Miles

Night Place
2016
6 x 6 inches
Watercolor

Sheila Miles

Laundry Day
2016
5 x 7 inches
Watercolor

Sheila Miles

Greta’s Place
2015
6 x 6 inches
Watercolor

TJ Mabrey

TICKET TO RIDE #5 - #8

TJ Mabrey

TICKET TO RIDE #5
2016
2 ½ x 4 inches
Print on paper

TJ Mabrey

TICKET TO RIDE #6
2016
3 x 4 inches
Print on paper

TJ Mabrey

TICKET TO RIDE #7
2016
2 ¼ x 4 inches
Print on paper

TJ Mabrey

TICKET TO RIDE #8
2016
2 ½ x 4 inches
Print on paper

Susanna Carlisle and Bruce Hamilton

Sweet Bee
2016
9 inch diameter
Video projection on blown glass

Susanna Carlisle and Bruce Hamilton

Seawall Maquette
2012 / 2016
7 x 12 x 6 inches
video projection on cast recycled glass

mandorlo e mandorla - 11/4/2016

Ilona Pachler
Gendron Jensen
Marcel Duchamp
Tony Fitzpatrick
Max Beckmann
Erich Heckel
Gerhard Richter
Louise Bourgeois
M’liz Keefe
Desiree Manville
Charles Meryon
Myron Stout

Gendron Jensen

umingmaq
2001
22 x 30 inches
Lithograph 15 / 25

Ilona Pachler

Sunny NM (elsewhere series)
2013
22 x 32 inches
Screen print on Rives paper 1 / 4

M’liz Keefe

Untitled
1999
5 x 7 inches
Oil, wax, and ash on canvas

Desiree Manville

CONCRETE CANVAS I
2010
2 ½ x 3 ½ inches
Archival epson digital print on epson hot press

Desiree Manville

CONCRETE CANVAS III
2010
3 ½ x 2 ½ inches
Archival epson digital print on epson hot press

Gendron Jensen

Minongers
2003
30 x 40 ⅛ inches
Lithograph 47 / 50

Gendron Jensen

Dénouement
2015
22 5/16 x 29 5/16 inches
Lithograph 40 / 50

Erich Heckel

Die Brüder Karamasow
1919
12 x 16 inches
Lithograph

Marcel Duchamp

Coffee Mill
1947
6 ½ x 11 ½ inches
Etching

Charles Meryon

Paris
C.1860’s
7 x 4 inches
Etching

Ilona Pachler

Steel Danube (elsewhere series)
2013
32 x 22 inches
Screen print Rives paper 1 / 4

Ilona Pachler

Steel Danube (elsewhere series)
2013
16 x 26 x 1 ¾ inches
screen print on gessoed wooden artist panel 1 / 1

Louise Bourgeois

To Hide
1989 - 1993
14 x 19 ½ inches
Drypoint

Gerhard Richter

Hotel Diana
1967
33 x 23 inches
Screenprint with varnish

Max Beckmann

Bildnes Frau H.M. Naila
1922
7 x 8 ½ inches
Drypoint

Tony Fitzpatrick

Baby Goose
1999
5 x 6 inches
Etching and aquatint

Tony Fitzpatrick

Crack Girl
2000
5 x 6 inches
Etching and aquatint

Tony Fitzpatrick

Cabezas de Toros
2000
Book of six etchings

Myron Stout

Untitled
1976
8 x 8 inches
Rubber Stamp

Like Water - 9/16/2016

Like Water

Marti Mills

Aponia (falling bodies series)
2016
15 1/2 x 15 1/2 inches

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
Plaster, graphite, silver leaf, photo transparency (transparency by Marti Mills)

Leslie Raymond

Untitled
chromogenic print
1992
4 x 6 inches

Burning Church

found photo
Cape Breton Nova Scotia
No date

Tony Fitzpatrick

Crack Girl
Etching and aquatint
5 x 6 inches

James Castle

Untitled (color abstraction)
soot and spit on found paper
2 3/8 x 4 1/2 inches

Craig Clark

2 untitled pieces (falling bodies series)

Craig Clark

untitled (falling bodies series)
photograph on metallic paper
17 1/2 x 11 1/2 inches

Craig Clark

untitled (falling bodies series)
photograph on metallic paper
17 1/2 x 11 1/2 inches

Deisree Manville

4 pieces

Desiree Manville

CONCRETE CANVAS I
2010
archival epson digital on epson hot press
2 1/2 x 3 1/2 inches

Desiree Manville

CONCRETE CANVAS II
2010
archival epson digital on epson hot press
2 1/2 x 3 1/2 inches

Desiree Manville

CONCRETE CANVAS III
2010
archival epson digital on epson hot press
2 1/2 x 3 1/2 inches

Desiree Manville

CONCRETE CANVAS IV
2010
archival epson digital on epson hot press
3 1/2 x 2 1/2 inches

John Waters

Manson copies Richard Gere
2000
set of two chromatic prints

Carol Rose Brown

above: SCENT
below: PASSAGE

Carol Rose Brown

SCENT
pigment ink print dry mounted on archival board
16 x 10 inches

Carol Rose Brown

PASSAGE
pigment ink print dry mounted on archival board
16 x 5 3/4 inches

Gus Foster

Packerland
1998
panoramic photograph
17 x 66 inches

David Forlano

4 pieces
untitled (falling bodies series)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, 22k gold leaf, photo transparency (transparency by Marti Mills)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, silver leaf, photo transparency (transparency by Marti Mills)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, 22k gold leaf, photo transparency (transparancy by Marti Mills)

David Forlano

Untitled (falling bodies series)
2016
16 x 8 inches
plaster, graphite, 22k gold leaf, photo transparency (transparency by Marti Mills)

Melissa Dominguez

Guava Soleil
11 x 14 1/2 inches
Photograph on Toned Cyanotype
1 of 1

Arbeit: Frank and his Dream - 8/1/2016

August 1st 2016

"Those works created from solitude and from pure and authentic creative impulses – where the worries of competition, acclaim and social promotion do not interfere – are, because of these very facts, more precious than the productions of professionals. After a certain familiarity with these flourishings of an exalted feverishness, lived so fully and so intensely by their authors, we cannot avoid the feeling that in relation to these works, cultural art in its entirety appears to be the game of a futile society, a fallacious parade." — Jean Dubuffet.

Works by:

James Castle
Haste Bowditch
Gabe Abeyta
Wes Mills
Chris Aloia
Roberto Sguazzi
Roger Walker

Untitled (figure in blue)

James Castle
Untitled (figure in blue)
colored pulp on found paper
3 1/2 x 3 1/2 inches

Untitled (color abstraction)

James Castle
Untitled (color abstraction)
soot and spit on found paper
2 3/8 x 4 1/4 inches

Untitled 13 / 50

Haste Bowditch
Untitled No. 13
oil stick, graphite, metallic paint and crayon on notebook paper
5 x 3 inches

Untitled 23 / 50

Haste Bowditch
Untitled No. 23
oil stick, graphite, metallic paint and crayon on notebook paper
5 x 3 inches
NA

Untitled 09 / 50

Haste Bowditch
Untitled No. 09
oil stick, graphite, metallic paint and crayon on notebook paper
5 x 3 inches

4 pieces by Gabe Abeyta

Gabe Abeyta
untitled
ink and marker on Polaroid
4 x 3 1/2 ea.

Untitled

Gabe Abeyta
Untitled
ink and marker on polaroid
4 / 3 1/2 inches

Untitled

Gabe Abeyta
Untitled (shut up)
ink and marker on polaroid
4 x 3 1/2 inches

Untitled

Gabe Abeyta
Untitled (super)
ink and marker on polaroid
4 x 3 1/2 inches

Untitled

Gabe Abeyta
Untitled (forever alone jerk it)
ink and marker on polaroid
4 x 3 1/2 inches

River & Lies

Wes Mills

Left: River
Right: Lies

River

Wes Mills
River
1992
graphite and colored pencil on paper
5 3/2 x 4 1/2 inches

Lies

Wes Mills
Lies
1992
graphite, dry pigment and clored pencil on board
13 x 14 1/2 inches

4 pieces

Wes Mills
Left: I cut my finger and ate green cake
above: Untitled (step dad's house)
below: Untitled
right: Untitled

I cut my finger and ate green cake

Wes Mills
I cut my finger and ate green cake
1992
graphite, colored pencil and dry pigment on board
17 1/2 x 18 inches
(provenance Laura Carpenter Fine Art Gallery)

I cut my finger and ate green cake (detail)

Untitled (step dad's house)

Wes Mills
Untitled (step dad's house)
1992
graphite, dry pigment and colored pencil on board
9 7/8 x 13 1/4 inches
(provenance James Kelly Contemporary)